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Gravity of Poetic Dreams Carry Weight in ‘Paterson’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – What is more ordinary than a man alone with his thoughts, and then applying those thoughts to paper in the form of poetry? “Paterson” is a celebration of such ritual, and other dreams in the working class. It never panders, it never makes the “hero” that heroic, but it does challenge him in an ordinary sense, to work it out as meaningful poetics.

Casey Affleck Anchors ‘Manchester by the Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Surprising Fun in Revenge Tale of ‘The Handmaiden’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Although “The Handmaiden” is based in deceit, fetishes, thievery and subservience, director Park Chan-Wook (“Stoker”) keeps it light by the addition of some subversive humor, and weaves a mystery with a pitch that is like the “The Sting” meets “In the Realm of the Senses.”

Old Hollywood Glamour in Woody Allen’s ‘Café Society’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”

Realistic, Difficult Lives Are Exposed in ‘Wiener-Dog’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO –Director Todd Solondz has made a career out of not shying away from the most uncomfortable negativities of life. From extreme disconnection (“Happiness”) to pedophilia (“Life During Wartime”) to the sad rejection of pre-teen years (“Welcome to the Dollhouse”), Solondz pulls no punches. He achieves that harsh intent yet again in “Wiener-Dog.”

Beauty Becomes Beastly in Uneven ‘The Neon Demon’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Neon Demon” is definitely worth seeing, if only to create an understanding as to what you think beauty is, but the film suffers in its last quarter by taking a turn towards horror. This mix of decisions by director Nicolas Winding Refn (“Drive”) is audacious and maddening.

Inventive ‘Chi-raq’ is an Authentic Plea for Sanity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – A spotlight on Chicago, in the context of guns and violence, is never a good thing for the overall community. But using Chicago as a metaphor for all violent insanity, and making a plea for peace, is the purpose of director Spike Lee’s new film, “Chi-raq.”

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  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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