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America

‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”

Remake of ‘Overboard’ a Fun & Unexpected Treat

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When the movie remake of the 1987 charmer “Overboard” was announced last year, immediately my thought was “it will stink.” But the creators of this remake didn’t listen, and produced a charmer of their own, twisting the premise and adding the hope of America. If that ain’t heart, I don’t know what is.

‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

Glaring Lack of Originality Handicaps ‘The Bad Batch’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?

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