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America

Glaring Lack of Originality Handicaps ‘The Bad Batch’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?

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