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Amy Sedaris

Emotionally Animated ‘My Life as a Zucchini’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Leave it to the Europeans to inject some realistic drama into the art of animation. The recently Oscar nominated “My Life as a Zucchini” is opening in Chicago this weekend, and tells the story of parental abandonment, orphanages and finding family. Co-produced by France and Switzerland, it uses a familiar claymation stop-motion style for more emotional resonance.

‘Puss in Boots’ Coasts Through Familiar Animated Antics

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Animated family films have made a pact with their audience. For our participation – and extra 3D glasses fee – they deliver the latest in computer generated eye candy, familiar voice talent and heroes that always win while making pop culture references. Antonio Banderas is “Puss in Boots.”

‘Jennifer’s Body’ a Bloody, Out-of-Body Dud For Oscar-Winning ‘Juno’ Scribe Diablo Cody

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.

‘Shrek the Third’ is Foxy Flirt Between Kid’s Play, Adult Wit

Rating: 3.5/5CHICAGO – To thwart his fate of being royally screwed (“mommy, what does that mean?”), the ornery ogre who smells like the shallow end of a swamp has unwavering resolve to crown someone else as proxy for his kingdom’s recently croaked king.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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