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Andrea Riseborough

‘Battle of the Sexes’ Parallels a Fight That’s Going on Today

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Since the time of early hominids, there has been a battle raging with your side being chosen before you’re even born. It all began when men claimed they were superior to women, forcing women to fight for the right at equality. Unfortunately, it remains as alive in the 70’s, when “Battle of the Sexes” takes place, as it is now.

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Eyegasmic ‘Oblivion’ With Tom Cruise Wins Your Optics, But Loses Your Brain

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.

Contemporary Society is Caught Online in ‘Disconnect’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Disconnect” is a punch in the gut, the backlash of our current technology, and a film that could have happened yesterday. It is a trenchant cautionary tale, warning us about the excesses of every blinking screen and “smart” device that supposedly is making our lives easier, but can just as easily become instruments of destructive. It is about how we live now.

‘W.E.’ is Decent Directorial Effort From Madonna

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s easy sport to disregard a director when the name attached to that title is Madonna, the famous pop star. “W.E.” is a story about fame in another era, and Madonna’s understanding about fame in general – and its dark underside – actually made her the right choice to handle such a story.

‘Brighton Rock’ Remake Fails to Justify its Existence

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Rowan Joffe’s long-gestating remake of “Brighton Rock” (the 1947 noir classic was based on the beloved book by Graham Greene) raises the question least-desired in one of these situations – why bother? Sure, the story is a nifty little tale of a rising criminal undone by his own avarice and the love of a girl and the cast assembled for the remake is an undeniably talented ensemble.

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  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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