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Ari Graynor

Funny ‘The Disaster Artist’ Takes Us Back to ‘The Room’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The Room” is a post-millennial cult movie that plays the midnight and college movie circuit, entertaining audiences with its sheer badness. Its story is told in the “The Disaster Artist,” featuring James Franco as the director of “The Room,” and he also directed the film. Very meta.

‘For a Good Time, Call...’ Has a Stellar Ringtone

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Rising above the usual romantic comedy dreck is an admirable achievement in today’s film landscape. “For a Good Time, Call…” is not only funny and unconventional, but focuses on the relationship between the two lead woman characters, portrayed by Lauren Miller and Ari Graynor.

Rashida Jones, Andy Samberg in ‘Celeste and Jesse Forever’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Rashida Jones has been a reliable co-star for years in films like “I Love You, Man” and TV shows like “The Office” and “Parks and Recreation” but she gets her most notable role to date in a film she co-wrote, the romantic dramedy “Celeste and Jesse Forever,” opening this weekend in Chicago.

Jonah Hill Gets Lost in Mediocre ‘The Sitter’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – David Gordon Green’s “Your Highness” was like a punch to the gut – an unqualified train wreck from someone who had been correctly dubbed one of the best working filmmakers. His same-year follow-up, “The Sitter,” opening this weekend, is far less disastrous but similarly disappointing in that it displays flaws that the talented director never showed even hints of previous to 2011.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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