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Armie Hammer

‘Cars 3’ Puts Series Franchise Back on Right Track

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

'Free Fire' Knows That Happiness is a Warm Gun

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.

‘Nocturnal Animals’ Takes Two Stories to New Levels

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

‘The Birth of a Nation’ Depends on its Own Piety

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The Birth of a Nation” has been making news since it premiered at the Sundance Film Festival early this year. Taking place before the American Civil War, this incendiary look at a real slave rebellion in the deep South does pack a punch, but its approach isn’t completely successful.

‘The Man from U.N.C.L.E.’ Just a Big Screen Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Director Guy Ritchie’s big screen version of the 1960’s spy show “The Man From U.N.C.L.E.” is a colossal waste of time for all involved. The original show was never all that good to begin with, but this film is never able to clear that admittedly low bar, or even replicate any of the TV show’s small pleasures.

‘The Lone Ranger’ Rides Again in Classic Western Style

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In trying to revive the Western film genre, Walt Disney Pictures is also reviving the “Pirates of the Caribbean” formula – extreme action, intrigue, flamboyant characters and Johnny Depp. Add a dash of a familiar American legend – “The Lone Ranger” – and it’s summer movie time.

Julia Roberts Reflects on Snow White in ‘Mirror Mirror’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Since I know I’m the fairest of them all, I won’t focus on the symbolic impressions of ‘Mirror Mirror.’ This is the Snow White legend based on the original story by the Brothers Grimm, and includes Julia Roberts, Lily Collins, Armie Hammer and Nathan Lane in its cast.

Leonardo DiCaprio Embodies the G-Man in ‘J. Edgar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Much of history is determined by the petty quirks and strange psychosis of “great leaders.” J. Edgar Hoover, FBI director for 48 years, worked hard to hide his very nature by squelching the nature of others – enemies, friends and perceived enemies. Leonardo DiCaprio is Hoover in “J. Edgar.”

David Fincher’s ‘The Social Network’ is a Rare Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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