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Ava DuVernay

‘A Wrinkle in Time’ Can’t Smooth Its Bizarre Fabric

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Although I am an admirer of Oprah Winfrey, it’s unfortunate that the best way to describe “A Wrinkle in Time” – with her role as goddess problem solver – is Worst. Episode. of. Oprah. Ever. The film, based on a novel from 1962, caves into effects over cohesiveness or story.

‘Selma’ a Powerful Reminder that History Does Repeat

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – With exquisite timing, the historical docudrama “Selma” will ring in 2015, and adds to the race-oppression-in-America debate that everything old is new again. Set in 1965, it is the courageous story of Dr. Martin Luther King Jr., and the ordinary citizens that fought for the right to vote.

Ava DuVernay’s ‘Middle of Nowhere’ Resonates by Valuing Truth Over Melodrama

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Ava DuVernay’s Sundance award-winning drama “Middle of Nowhere” is a confident, engaging drama strengthened by genuine, moving performances, particularly the stunningly good one at its center from Emayatzy Corinealdi. The movie sometimes falters due to some melodramatic, on-the-nose dialogue, but there’s an honesty, compassion, and genuine quality here that’s too often missing from adult dramas. It’s a striking debut.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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