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Bill Condon

Flawless ‘Beauty and the Beast’ is a New Classic

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.

‘The Twilight Saga: Breaking Dawn -- Part 2’ Takes Final Bloodless Bite

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Even the most hardcore, defiant fans of “The Twilight Saga” must admit that there clearly was not enough material in Stephenie Meyer’s final book to justify two films as “The Twilight Saga: Breaking Dawn - Part 2” plays more like a bloated final hour of a better movie than an actually satisfying experience on its own terms.

‘The Twilight Saga: Breaking Dawn -- Part 1’ Hardly Even Bewitches Twi-Hards

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The bloated franchise’s worst film without question, the fourth “Twilight” popcorn flick is a futile exercise on the disappointment of anti-climactic waiting. Waiting for something more. Waiting for something bigger. For 117 minutes, you’re waiting – for something – but just not ever getting it. It doesn’t sparkle or shine. It flickers, and then disappointingly dies.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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