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Bill Paxton

Disturbingly Refreshing, Jake Gyllenhaal in ‘Nightcrawler’ is an Anti-Hero You Can’t Stop Watching

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “No one talks like that,” I kept thinking to myself about this noir thriller. But that said, “Nightcrawler” is driven by just about the most entertaining dialogue from one person I’ve seen all year.

Jake Gyllenhaal is Eerily Seductive as the ‘Nightcrawler’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – This film can be defined as “Network” meets Norman Bates, but it also exposes virtually all our modern sins, in a chilling story about a loser who spouts business self help while taping bloody crimes that sell on the morning news. Jake Gyllenhaal is the “Nightcrawler.”

‘Edge of Tomorrow’ is a Fleet-Footed Popcorn Movie

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Edge Of Tomorrow” is a high concept, fast of foot popcorn movie that knows how to deliver the goods. While this futuristic sci-fi take on “Groundhog Day” doesn’t break any new ground, it does see that intriguing concept through to a fulfilling and crowd pleasing conclusion.

‘Million Dollar Arm’ Misses the Strike Zone

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Million Dollar Arm” harkens back to a period of shameless family friendly schmaltz that used to play to families in theaters and then run in perpetuity on “The Wonderful World Of Disney” on television. But this treacly baseball drama throws nothing but balls.

Mark Wahlberg Steals Unexpected Comedic Spotlight Amid ‘2 Guns’ Bromance

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While you wouldn’t normally compare the new action/comedy “2 Guns” with the comedy “I Love You, Man,” really the only difference between what Mark Wahlberg and Denzel Washington are doing now versus what Paul Rudd and Jason Segel did in 2009 is that “2 Guns” uses crime as the means by which two grown men fall in love with one another.

Gina Carano, Ewan McGregor in Steven Soderbergh’s ‘Haywire’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Steven Soderbergh is one of the few directors who can do whatever the hell he wants. Whatever genre, whomever he casts, whichever story he chooses to tell – he pulls it off. He hasn’t made anything approaching a stumble since 2004’s “Ocean’s Twelve” (and, believe it or not, there have been eight films released since including this one) and his latest, “Haywire,” serves as further evidence that any conversation of the best working directors that doesn’t include him is incomplete.

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