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Brendan Gleeson

Ben Affleck Shoots Nothing But Blanks in ‘Live by Night’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Movies released in the first weeks of January are invariably either awards hopefuls trying to gain momentum or studio dreck being buried in the dead of winter, and quickly forgotten by Valentine’s Day. “Live By Night” aspires to be the former, but ends up being the latter.

‘Assassin’s Creed’ Has Odd Breeding for a Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

Breathless Beauty Within Animated Wonder ‘Song of the Sea’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Just in time for its potential win of the “Best Animated Feature” Oscar this Sunday, the Irish animated film “Song of the Sea” opens this weekend at Chicago’s Music Box Theater. A grab-bag myth come to storytelling life, this film is vitalized by its gorgeous animation as much as the heart within its narrative.

The Catholic Priest on the Road to ‘Calvary’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The title of the film, “Calvary,” should have resonance to any guilty Catholic out there, and yet the loaded word can’t deliver the truth that the film seeks. Brendan Gleeson gives an astonishing performance as a conflicted priest, but the material he has to work with is not up to his portrayal.

‘Edge of Tomorrow’ is a Fleet-Footed Popcorn Movie

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Edge Of Tomorrow” is a high concept, fast of foot popcorn movie that knows how to deliver the goods. While this futuristic sci-fi take on “Groundhog Day” doesn’t break any new ground, it does see that intriguing concept through to a fulfilling and crowd pleasing conclusion.

Edgar Allan Poe Deserves Better Than ‘The Raven’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “The Raven” is such a snooze fest that it could have the disastrous effect of turning young viewers off from actually reading Edgar Allan Poe. Trust me, young readers – nothing by Poe is this generic, dull, boring, or plain stupid. Taking the two hours of your life that it would take to see “The Raven” and reading anything by the man who inspired it would be a smarter use of your time. And you’d be less likely to fall asleep.

Clever, Fun Adventures of ‘The Pirates! Band of Misfits’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Pirates! Band of Misfits” has that incredible Aardman energy and elegance of works like “Wallace & Gromit” and “Chicken Run” along with some of the best voice work you’ll hear in an animated film all year.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

Brendan Gleeson Finds Caustic Charm of ‘The Guard’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Brendan Gleeson pushes forward John Michael McDonagh’s strong “The Guard” through the sheer power of his incredible personality. The lovable-but-irascible actor delivers one of the most enjoyable performances of the year and he’s amply assisted by the great Don Cheadle and a clever, unapologetic script from his writer, making a strong directorial debut.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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