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Britt Robertson

‘The Space Between Us’ Falls Into a Black Hole & Dies

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – You know you’re in trouble when the opening scene of a film inspires forehead slapping levels of incredulity. And that’s just the beginning of what I felt while watching “The Space Between Us,” another entry in the long line of would-be weepies about young lovers torn apart, usually by class or disease. The film desperately wants to be a millennial love story for a generation, and has plenty of faults but precious few stars in its tale of literal star-crossed lovers.

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

‘The Longest Ride’ is a Journey to Nowhere

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “The Longest Ride” is sentimental schlockmeister Nicholas Sparks’ latest attempt to remix “The Notebook.” It’s got an old man recounting lost love, handwritten letters, young lovers kissing in the rain, breakups, reunions, corny dialogue and of course those North Carolina backdrops. He’s playing all the same notes, but this time he’s lost the melody.

‘Cake’ Serves Emotionally Honest, Career-Growing Dramatic Role for Jennifer Aniston

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It’s been a while since I walked out of a screening so affected and feeling that I just experienced a truly honest, important film.

Sure, other ones have since, but back in 2007, “Once” especially made me feel that way long before the Oscars.

Though a Failed Comedy, ‘Delivery Man’ Shows Vince Vaughn’s Lesser-Seen Dramatic Side

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Has Vince Vaughn peaked?

Since hit films like “Swingers” and “Wedding Crashers,” critical flops like “Couples Retreat” and “The Dilemma” have shown he’s fighting an uphill battle to find redemption. While “Delivery Man” isn’t his re-breakout role, it does show you a lesser-seen side: his drama instead of his comedy.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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