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Christina Hendricks

Report Card on ‘Fist Fight’ is a Failing Grade

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “Fist Fight” is such a thin premise it can’t even sustain its own two minute trailer, much less a feature length film. That premise, what there is of it, is simple – English teacher (Charlie Day) and History Teacher (Ice Cube) get involved in an altercation with a student on the last day of class, at a failing high school known for senior pranks. Teacher Ice Cube gets fired, and blames Charlie Day. So they act like children and settle their differences with a fist fight outside.

Beauty Becomes Beastly in Uneven ‘The Neon Demon’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Neon Demon” is definitely worth seeing, if only to create an understanding as to what you think beauty is, but the film suffers in its last quarter by taking a turn towards horror. This mix of decisions by director Nicolas Winding Refn (“Drive”) is audacious and maddening.

Philip Seymour Hoffman Lives Again in ‘God’s Pocket’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Watching Philip Seymour Hoffman perform, now that he has passed on, is a bittersweet reminder of his ability and power to embody his deeply felt characters. He does it again in one of his last roles, adding his special brand of acting to the messy story within the gritty noir drama, “God’s Pocket.”

Sarah Jessica Parker in ‘I Don’t Know How She Does It’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – She produced and starred in one of the great TV-to-film franchises of the last 15 years. She has made millions in endorsements for the fashion industry. She is married to a prominent celebrity who once played Ferris Bueller. Regarding Sarah Jessica Parker, “I Don’t Know How She Does It.”

Ryan Gosling Stars in Instant Classic ‘Drive’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Nicholas Winding Refn’s “Drive” is an amazing thriller, a modern examination of heroism filtered through the fairy tale culture of the underbelly of the movie machine that is easily one of the most memorable and effective films of not just this year but the last several.

Star-Studded Cast Makes For Good ‘Company’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Though I’ve often entertained the notion of attending an opera or sporting event at a local theater, I just can’t seem to bring myself to pay the admission. No filmed footage, however intimate and detailed, can truly capture the visceral energy of a live performance. No matter how close a camera can zoom in on the action, it still provides the worst seat in the house.

‘Life as We Know It’ is More Schlock From Katherine Heigl

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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