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Damon Wayans Jr.

Shapeless ‘How to Be Single’ is Dreadfully Unfunny

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Rebel Wilson’s raunchy and vulgar schtick is now way past its freshness date, but she’s the only one able to elicit any chuckles in this otherwise woebegone women-behaving-badly, anti-romantic comedy, “How to Be Single.”

‘Big Hero 6’ is Sorely Lacking the Charm Component

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Big Hero 6” is a dark revenge thriller masquerading as a kids movie. Walt Disney Studios takes a few pages from its corporate cousin Marvel, while creating this new animated adventure. It has its moments, but not quite enough of them to make this anything more than a minor entry in the Disney legacy.  

‘Let’s Be Cops’ Unoriginally Repeats Old Formulas

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The premise is sound, but the new film “Let’s Be Cops” refuses to do something original with the premise of a couple of regular Joes pretending to be Johnny Law. The same stale jokes and inevitable need for heroic action climax overwhelms the mild amusement of it all.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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