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Dan Stevens

Charles Dickens is ‘The Man Who Invented Christmas’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The story of Ebenezer Scrooge, as told in Charles Dicken’s classic “A Christmas Carol,” seems to be the one constant that survives the commercialization of the holiday season. The story of Scrooge’s creation is told with expressive sentimentality in “The Man Who Invented Christmas.”

Flawless ‘Beauty and the Beast’ is a New Classic

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.

Adam Sandler’s ‘The Cobbler’ a Historical, Stupefying Disaster

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The newest Adam Sandler film that doesn’t feature him dressed like a chubby middle schooler is really bad, but in a special way. Similarly, it is an instant classic in the legacy of bizarre disasters, a footnote in writer/director history that must be witnessed to be fully understood.

‘A Walk Among the Tombstones’ Solidifies Desire for Liam Neeson to Be Your Dad

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I don’t know about your dad, but mine – love him as I do – isn’t Jason Bourne, James Bond or Bryan Mills. At the age of 62, Liam Neeson somehow still kicks ass as Bryan Mills in “Taken” and fans everywhere love riding every minute of his butt-kicking thrill rides.

Liam Neeson in Forgettable ‘A Walk Among the Tombstones’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Liam Neeson still looks good being a badass, but “A Walk Among The Tombstones” is a vehicle unworthy of his particular set of skills. It’s not a tightly constructed thriller like “Non-Stop,” and it lacks the sheer over-the-top ludicrousness of “Taken 2.” This is largely a by-the-numbers jalopy that can best be called forgettable.

Superlative ‘The Guest’ Returns a Soldier to Our Times

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The essential killing machine to protect the Homeland hasn’t been invented yet. Or has it? Filmmakers Adam Wingard and Simon Barrett combine “The Terminator” with a perfect metaphor for perpetual war in a new release, “The Guest.”

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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