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Dominic West

Art & Real World Taken to Task in Angular ‘The Square’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”

Approach of ‘Money Monster’ is Pure Fraud

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In our society there is one eternal truth…the rich will ALWAYS win, that’s one of the reasons that they are rich. So when “Money Monster” attempts to take them down a peg with a ridiculous fantasy story, it’s as fraudulent as what they pretend to be fighting. An oligarch watches this, and laughs at us.

‘The Awakening’ with Rebecca Hall Will Put You to Sleep

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There a lot of sighs and longing looks in the new horror film “The Awakening” (and good luck trying to distinguish between the generically-titled “The Apparition,” “The Possession,” and this one — all in theaters). This disappointing attempt at an atmospheric ghost story tries to tell a tale that first feels like a haunting from within.

‘John Carter’ is Poor Man’s ‘Star Wars,’ ‘Avatar’ With Kitschy Taylor Kitsch, Soft-Porn Lynn Collins

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Usually it’s critics critically flogging a film when we say it weakly lacks originality and borrows too heavily from others. Disney’s “John Carter” attacks that classic grumble by promotionally comparing itself to “Star Wars” and “Avatar” before critics even had a chance to deduct points for it.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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