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Ed Harris

HollywoodChicago.com ESP, En Español: ‘American Assassin,’ ‘Brad’s Status’ y ‘mother!’

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana, vamos a una misión de venganza y terminamos salvando el mundo (“American Assassin”), luego nos vamos de viaje a visitar algunas universidades mientras tenemos un colapso mental (“Brad’s Status”), y luego nos transportan a una casa que significa mucho más de lo que parece (“mother!”).

M is for the Many Things ‘mother!’ Gave Me

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a film that is unsettlingly and regally composed with deep purpose and symbolism, “mother!” fulfills the nature of what it proposes to communicate within layers of essentially rendered storytelling and cinematic perspective. It can potentially change your overall point of view.

Two Stories Clash in Uneven ‘Rules Don’t Apply’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

‘Gravity’ is a Visionary Expansion on Our Humanity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Space looks like a vast, dark ocean in the new film “Gravity,” with the sparkling blue orb of our planet Earth beckoning the voyagers on that ocean homeward. Co-writer/director Alfonso Cuarón fashions a metaphoric dreamscape that places the small molecules of human beings within the vast expanse, fighting to understand the value of their place in that sea of cosmos.

Alfonso Cuaron’s ‘Gravity’ Rekindles Wonder of Cinema

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – There used to be a stronger sense that films could take us someplace new. From the days of audience members screaming at the train coming at the camera because they didn’t understand that they wouldn’t be run over to Dorothy’s trip to Oz to young Skywalker’s family problems, movies captured a sense of wonder that’s been lost in an era when CGI is in KFC commercials and it feels like Hollywood has run out of new places to take us.

Clever Cast Can’t Quite Save Crazy ‘Pain & Gain’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Michael Bay’s “Pain & Gain” tells such a ridiculous story that it has to be true. Based on the infamous case of the Sun Gym Gang, a trio of bodybuilders who committed some unspeakable, bizarre crimes, “Pain & Gain” nearly works through the sheer charisma and talent of its A-list cast.

Elizabeth Banks Teeters With the ‘Man on a Ledge’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – New York City. Mid-day. A man steps outside the window on the edge of the Roosevelt Hotel. Is he jumping? That’s the question that street level onlookers and moviegoers want answered from Sam Worthington, Elizabeth Banks, Jamie Bell and Ed Harris in “Man on a Ledge”

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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