Elisabeth Moss

Jordan Peele’s ‘Us’ Gets Bogged Down in Conventionality

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Like his first film, “Get Out,” writer/director Jordan Peele creates a horror/thriller filled with symbolism and laughs. Unlike “Get Out,” “Us” is awash in overly concentrated plot points, a reliance on lesser references and an ending that can be seen from outer space. It’s not sophomore “jinx,” but more like the sophomore “over think.”

Art & Real World Taken to Task in Angular ‘The Square’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”

Elisabeth Moss Reigns Supreme in ‘Queen of Earth’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Elisabeth Moss is the ‘Actor of Her Generation.’ She is a true chameleon, and can anchor a lead role while still expressing a twitch of consequence. The subject is depression in “Queen of Earth,” and writer/director Alex Ross Perry is able to honestly portray it through Moss.

Visceral ‘On the Road’ Honors a Great American Novel

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.

Russell Brand, Jonah Hill Rock in Very Funny ‘Get Him to the Greek’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Taking a character who was created as an obnoxious supporting one and giving him his own spin-off movie sounds like a recipe for disaster. Despite generally liking its stars and enjoying “Forgetting Sarah Marshall,” I was dreading the quasi-sequel “Get Him to the Greek”. There were just too many screenwriting pitfalls in which the film could have and should have fallen in.

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  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

  • 2019 Physical Theater Festival

    CHICAGO – The visual artistry of the stage is often due to the picture that is created through the physicality and movement of the actors. This is brought to light in the 6th annual Physical Theater Festival in Chicago, a cornucopia of international imagination generating theater through the physical realm. Co-founders/Artistic Directors Alice Da Cunha and Marc Frost created the fest, which runs from May 31st through June 9th, 2019, Stage 773 in the Belmont Avenue Theater District. All the Festival information – including tickets – can be found by clicking here.

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