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Ellie Kemper

‘Sex Tape’ a Comedy Sorely Lacking in Laughs

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Jason Segel is usually fun to watch in just about anything, but he sure isn’t fun in “Sex Tape,” a big studio summer comedy with a fatal flaw - it doesn’t seem to know what’s funny. So like a stand-up comedian on a bad night, it feverishly and desperately throws anything it can think of at the screen in the vague hope that it might be funny even incidentally.

‘They Came Together’ Sharply Skewers the Rom-Com

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If there is any genre of film that needs a good blasting, it is the romantic comedy. These silly fantasies practically seem like satires anyway, so when the comic genius of writer/director David Wain ponders them, and casts Paul Rudd and Amy Poehler as the “couple,” the funny will fly.

Jonah Hill, Channing Tatum Have Fun on ‘21 Jump Street’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are various opinions about TV-to-movie remakes, mostly negative. That is why “21 Jump Street,” based on a 1980s TV show, manages some grudging respect. Jonah Hill, Channing Tatum, Ice Cube, Rob Riggle, Nick Offerman and Ellie Kemper create some goofy laughs in this farce.

Kristen Wiig Carries Charming Comedy of ‘Bridesmaids’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – With an incredibly talented ensemble, heartfelt script, and honest characterizations, “Bridesmaids” has been touted as a revolutionary re-examination of what one should expect from the phrase “chick flick.” Having never been much of a fan of genre labels, the idea that this film should be judged differently because it has female stars irks me a bit, but if that gets more people into theatre seats and away from the junk that typically qualifies as “entertainment for women,” I’ll happily embrace it. For whatever reason you see it, the most important thing to know is this simple – “Bridesmaids” is funny. Damn funny.

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    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

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