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Elsa Pataky

‘The Fate of the Furious’ is a Vehicle Running on Fumes

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Bigger, Dumber, and Duller…that’s the name of the game this time in this ongoing franchise which is now so ludicrous it makes Bond films seem like the epitome of realism. While it’s true this is the first time Oscar winners and a “Fast and the Furious” film have ever been associated together, there’s a dearth of inspiration in this eighth go around, as this series is now operating almost completely on autopilot.

Relentlessly Action-Packed ‘Furious 7’ Actually Has a Story, Too

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I’ve never classified myself as a “Fast & Furious” franchise fan. Nor have I been a hater. I’ve fallen somewhere in between – willingly watching the popcorn flicks but then quickly going about my life as fast as the furious action ended. Until “Furious 7”…

‘Fast Five’ Furiously Finds Fun Factor in Franchise Finest

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Maybe director Justin Lin learned how to have fun directing the now-classic paintball episode of “Community.” Wherever he figured out that his movies need not be so damn self-serious or wordy, he took that knowledge to the set of “Fast Five,” a movie that this critic who hated “Fast & Furious” absolutely dreaded when it was first announced. Now I can’t wait for the inevitable sixth movie in the most unexpected mega-franchise of the new millennium.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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