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Eric Bana

‘King Arthur: Legend of the Sword’ is a Dull, Magicless Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Have you ever had such a bad case of déjà vu while watching a film that trying to remember where the familiar elements are from turns into a more enjoyable experience than actually seeing the film itself? If you haven’t, your quest for that kind of film is fulfilled by the incredibly forgettable “King Arthur: Legend of the Sword.”

‘Into the Storm’ Maybe Needs Some Sharks

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – What is there to say about a movie whose chief attraction lies in action set pieces involving CGI tornadoes? You either like this sort of thing or you don’t. I took my ten year old, who seemed to have a good time, and I know I felt pretty captivated by some of those visuals – but I’m a sucker for a thrill ride. Sound indecisive?

‘Deliver Us From Evil’ Goes Straight for the Jugular

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares…it still ranks as one of the most important and best of the new crop of possession/devil films it helped kick start into being with their box office numbers.

Peter Berg’s Brutal ‘Lone Survivor’ Lacks Context

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

Imagine a version of “Saving Private Ryan” that takes place entirely on the beaches of Normandy. It would have a visceral power purely through the horror of the recreation of war. However, it would lack the context of the rest of the narrative and lead one to question why the cinematic trip was worth taking.

‘Closed Circuit’ is a Tense Reminder of Our Times

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The threat of terrorist acts defies security. That is a fundamental truth. With 7 billion people on the planet – and an infinite number of motivations within them – all the security cameras, techniques and agencies cannot stop a determined group or individual, as depicted in “Closed Circuit.”

Saoirse Ronan Rocks in Joe Wright’s Riveting ‘Hanna’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – You won’t be able to take your eyes of Saoirse Ronan in Joe Wright’s action film “Hanna,” a visceral thrill ride that’s likely to be a more satisfying experience than most of the action blockbusters that will fill the multiplex as the temperatures rise. With an A-list cast and incredible production values, “Hanna” is a speeding train. Hop on and hold on tight.

Adam Sandler, Seth Rogen Star in Ambitious But Flawed ‘Funny People’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Judd Apatow’s “Funny People,” starring Adam Sandler, Seth Rogen, and Leslie Mann, is like watching a friend try out a new stand-up routine. As with a lot of attempts at trying something untested, it doesn’t quite work out, but you have to admire the effort, if not the execution.

Despite Daring Genre, ‘3:10 to Yuma’ Packs Powerhouse Acting With Fragmentary Story

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – Had you asked me to tag “3:10 to Yuma” before I screened it, you’d think me a bumbling idiot because I had absolutely no clue what to expect.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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