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Felicity Jones

Fantasy & Feelings Comingle in ‘A Monster Calls’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

‘Rogue One: A Star Wars Story’ is a Worthy Addition

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I guess from now on, it will never be the holidays without a Star Wars movie, and why not? Every year, we’ll have a celebration with the ardent fans and characters that are one in that universe, “a long time ago, in a galaxy far far away.” For 2016, “Rogue One: A Star Wars Story.”

‘Inferno’ Was Damned From The Start

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.

‘True Story’ Just Leaves a False Impression

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Sometimes, just casting a film with “names” is not enough to make it work. Jonah Hill and James Franco play cat-and-mouse for 100 minutes in “True Story,” but the narrative, the structure and their own inability to communicate their characters conspired against the overall experience.

Heartfelt Tale of Human Needs in ‘The Theory of Everything’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The life story of iconic physicist Stephen Hawking is given a well-deserved cinematic treatment this weekend with “The Theory of Everything,” an earnest presentation of an existence that defies the usual. As his personal journey required the care-taking of others, the film is not adapted from something Hawking wrote, but from his wife Jane’s personal account, “Traveling to Infinity: My Life with Stephen.”

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

Mediated Performances Highlight Alternative Story of Charles Dickens’ Personal Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

After years of enlivening adapted work in front of the camera and on the stage, only recently has the prolific actor Ralph Fiennes taken to directing films; in 2011 he gave the world a version of Shakespeare’s “Coriolanus,” which included the odd treat of watching Gerard Butler espouse the Bard’s words from his mouth, and a sporadically-lauded performance from Vanessa Redgrave.

Good Vibrations for Maggie Gyllenhaal in Uneven ‘Hysteria’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Combining late 19th century Victorian England with the invention of the vibrator is a surefire laugh getter, but unfortunately “Hysteria” adds in a romance subplot and doesn’t climax. Maggie Gyllenhaal, Hugh Dancy, Jonathan Pryce and Felicity Jones add to the buzz.

‘Like Crazy’ Exposes Sweet Sorrow of Young Love

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The young love affair, that first one that breaks through the heart, mind and biological objectives, is the memory that never really goes away. Sometimes it works out for a lifetime, sometimes it ends. Anton Yelchin and Felicity Jones play out this oft-remembered experience in “Like Crazy.”

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  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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