HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review

Director Eugene Jarecki Crowns Elvis Presley ‘The King’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Elvis Presley, besides being one of the most famous entertainers of the 20th Century, does symbolize to an extent what can happen to icons when they turn towards certain directions in a career. Director Eugene Jarecki has created an amazing documentary about Elvis called “The King,” that uses his rise and decline as a symbol for the American Dream.

Daring Vision of Darren Aronofsky’s Epic ‘Noah’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

‘Divergent’ Wastes Talented Cast on Joyless Adaptation

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Despite the best efforts of a game Shailene Woodley and likely future star Theo James, Neil Burger’s “Divergent,” based on the hit book by Veronica Roth, is a joyless, soulless, humorless dud. It is repetitious to the point of parody, never feels like it exists in anything approximating reality, and, like so many “Hunger Games” wannabes, forgets that it’s the characters of that franchise that matter and not the goofy machinations of the plot.

Liam Neeson Can’t Bring ‘Non-Stop’ in On-Time

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

I’m a sucker for a well-toasted slice of escapism that employs a singular setting to maximum impact. Liam Neeson trapped on a plane with a devious killer who’s trying to extort $150 million from him? Where do line up to buy a ticket? Seriously, this is the kind of Oscar counter-programming that I love this time of year—turn off your mind and take a trip with “Non-Stop”.

‘The Monuments Men’ Has Been Drained of Personality

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

Mediated Performances Highlight Alternative Story of Charles Dickens’ Personal Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

After years of enlivening adapted work in front of the camera and on the stage, only recently has the prolific actor Ralph Fiennes taken to directing films; in 2011 he gave the world a version of Shakespeare’s “Coriolanus,” which included the odd treat of watching Gerard Butler espouse the Bard’s words from his mouth, and a sporadically-lauded performance from Vanessa Redgrave.

Twisted Thrill Ride of Intense ‘Big Bad Wolves’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

“Big Bad Wolves” pulls no punches. It rips off toenails instead. This incredibly dark thriller, courtesy of the twisted folks who made the indie horror hit “Rabies,” built notable buzz at its Tribeca Film Festival and Chicago International Film Festival screenings but really took off when Quentin Tarantino named it his favorite film of 2013.

Asghar Farhadi’s ‘The Past’ Finds Resonance Through Subtlety of Human Interaction

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

Filmgoers may bash the January to October movie fare for being boisterous, obnoxious, directed by Michael Bay, etc. However, even during the supposedly tasteful sanctuary that is the award season of November to January, those films themselves can be lumped together to sponsor their own lack of subtlety.

Peter Berg’s Brutal ‘Lone Survivor’ Lacks Context

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

Imagine a version of “Saving Private Ryan” that takes place entirely on the beaches of Normandy. It would have a visceral power purely through the horror of the recreation of war. However, it would lack the context of the rest of the narrative and lead one to question why the cinematic trip was worth taking.

Frustrating Journey Into ‘The Secret Life of Walter Mitty’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

I so want to love Ben Stiller’s “The Secret Life of Walter Mitty.” Stiller’s directorial work on films like “The Cable Guy” and “Tropic Thunder” was underrated, the source material is great, the message of living in the moment has more value in an increasingly cluttered world, and the time seems right for an imaginative journey into the mind of a likable protagonist like Mr. Mitty.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Stephanie Buxbaum

    CHICAGO – In the history of “Reality TV” there has been periods of up-and-down popularity, shows that have been around seemingly forever (“Big Brother,” “Amazing Race”) and spinoffs to new styles like “documentary series” as networks like the National Geographic Channel emerged. In all those permutations, producer Stephanie Buxbaum has experienced it all, and has the career and stories to prove it.

  • Deadbeat2

    CHICAGO – Not many web series start out as music videos, but the new online (YouTube) drama “Deadbeat 2” was just that. Created, written and directed by Danny Froze, the made-in-Chicago story recently premiered episodes five and six in the series, which features actor Kiwaun Stoutmire in the lead role of Ronnie.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker