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Gemma Arterton

‘Their Finest’ is British Filmmaking at Its Finest

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a combined BBC Films, Welsh Government and Pinewood (London) Pictures production, the British-based “Their Finest” pairs England’s history with authentic and passionate romance, to create a sly and funny riff on propaganda films and the British movie industry during the early days of World War II.

Neil Jordan’s ‘Byzantium’ Feels Drained of Passion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ve rarely said this about Neil Jordan movie – in fact, maybe never – but I was bored during his latest, the vampire drama “Byzantium,” a movie with an intriguing cast and interesting story but little in the way of passion, emotion, dread, or the other intangibles needed to make a horror film like this effective.

Gemma Arterton Displays Luminosity as ‘Tamara Drewe’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are some movies that are gut level great because of plot, atmosphere and pacing, and then there are movies like “Tamara Drewe,” which rely on the elusive star power of the performer to drive its engine. Gemma Arterton portrays the title character and lights up the screen with a vivid presence in the simple story of a woman’s homecoming.

‘Prince of Persia: The Sands of Time’ is Perfect Background Noise For Making Out

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Historically, video game adaptations are recipes for disaster when translated into film. While “Prince of Persia: The Sands of Time” with Jake Gyllenhaal and Gemma Arterton has a blockbuster opportunity to buck the decades-old trend, we’re just subjected to more of the same soul-deadening time drain.

‘Clash of the Titans’ Bores More Often Than Thrills

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The unjustified remake of the ’80s camp-fest “Clash of the Titans” may have been re-purposed for the trend of 3-D but its performances are still tragically 2-D and its plot practically see-through.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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