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Graham Greene

‘The Shack’ is About Spirituality, Not Filmmaking

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

‘Brighton Rock’ Remake Fails to Justify its Existence

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Rowan Joffe’s long-gestating remake of “Brighton Rock” (the 1947 noir classic was based on the beloved book by Graham Greene) raises the question least-desired in one of these situations – why bother? Sure, the story is a nifty little tale of a rising criminal undone by his own avarice and the love of a girl and the cast assembled for the remake is an undeniably talented ensemble.

Kevin Spacey Comes Up Aces in ‘Casino Jack’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The halls of the Capitol Building are paved with money. It takes a long time beyond civics class and history to realize that. Kevin Spacey illustrates that concept precisely playing “super lobbyist” and convicted larcenist Jack Abramoff in “Casino Jack.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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