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Gravity

Suspenseful ‘Life’ is Tense, Compelling Science Fiction

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

‘Gravity’ is a Visionary Expansion on Our Humanity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Space looks like a vast, dark ocean in the new film “Gravity,” with the sparkling blue orb of our planet Earth beckoning the voyagers on that ocean homeward. Co-writer/director Alfonso Cuarón fashions a metaphoric dreamscape that places the small molecules of human beings within the vast expanse, fighting to understand the value of their place in that sea of cosmos.

Alfonso Cuaron’s ‘Gravity’ Rekindles Wonder of Cinema

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – There used to be a stronger sense that films could take us someplace new. From the days of audience members screaming at the train coming at the camera because they didn’t understand that they wouldn’t be run over to Dorothy’s trip to Oz to young Skywalker’s family problems, movies captured a sense of wonder that’s been lost in an era when CGI is in KFC commercials and it feels like Hollywood has run out of new places to take us.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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