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Hailee Steinfeld

Edge Ebbs & Flows in ‘The Edge of Seventeen’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Edge of Seventeen” does attempt to do some different things with the growing-up-too-soon teenager soap opera – it throws in a authentic parent, contemporary sex issues and truthful awkwardness. But it can’t help being too heroic, and too “everything’s all right.”

Sequel’s Tune is Off Key in ‘Pitch Perfect 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Pitch Perfect 2” wasn’t bad. There was the same off-kilter weirdness and funny lines of the first film, but in this sequel there were also stretches of boring, seemingly made-up stuff to slog through. I guess repeating a premise about college singing groups doesn’t offer much more to say.

Feminism Humbles Tommy Lee Jones in Heartfelt Western ‘The Homesman’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In Tommy Lee Jones’ passion project “The Homesman,” the wild west provides a vivid setting for a battle in man’s endless war against women, as the film firmly occupying a genre strictly known for cowboys and pioneer machismo. It’s a sorrowful western from actor/writer/director Jones that often shines in its twilight, hoping to slightly reconcile the maltreatment unleashed on half of the world’s most powerful species.

Stereotypical ‘3 Days to Kill’ Tonally Uneven

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – As a director, Kevin Costner comes across as a patient guy who waits for the right material to come along. Considering the last movie he helmed is a little over ten years old (“Open Range”), one might also consider him picky too. As an actor, it feels like Costner woke up one recent morning and thought, “Hey, I should do a handful of movies in a row. I’m not getting any younger!”

‘Ender’s Game’ Loses Personality in Journey From Book to Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

New ‘Romeo and Juliet’ is Almost Passable if You Haven’t Seen It, Unnecessary if You Have

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.

Jeff Bridges, Matt Damon Ride the Lonely Plain of ‘True Grit’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “True Grit” seems like the perfect project for Joel and Ethan Coen; something they had been working toward their entire career. Not only had they made what could be considered a modern Western already in “No Country Old Men” but they were to bring together The Dude (Jeff Bridges) and Llewelyn Moss (Josh Brolin) under the magnificent lens of the great Roger Deakins. It nearly had to be a masterpiece.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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