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Harvey Keitel

It Hurts Trying to Laugh at ‘The Comedian’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Mention this possibility…Robert De Niro portrays an aging stand-up comic who once had a popular sitcom in the 1980s…and 99% of filmgoers are in. Add that he beds a woman 25 years his junior, does community service, roasts Cloris Leachman and becomes a reality show host, and suddenly 80% of that 99 are out. That’s just part of the over-extension and dread in “The Comedian.”

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

Wes Anderson’s ‘Moonrise Kingdom’ Delights with Clever Tale of Young Love

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Wes Anderson’s “Moonrise Kingdom” is a true delight — a fun, clever, and, of course, whimsical tale about the days when love seemed worth running away from home over and getting a scout badge meant the world. Easily Anderson’s best film since “The Royal Tenenbaums,” “Moonrise” is arguably the most tonally consistent film he’s made to date, a thoroughly enjoyable endeavor that one would have to be pretty cynical to dismiss entirely.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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