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‘Smurfs: The Lost Village’ Should Have Remained Undiscovered

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – There are only a few times that I have left a film mentally shouting, “Won’t someone think of the children?” Not through some self-righteous religious fit, of course, but through a general concern for the animated films created for our young. “Smurfs: The Lost Village” is either made for a specific crowd in mind or made for a crowd without a mind.

‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

Great Visuals Save the Shallow ‘Deepwater Horizon’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There are a few things in our lives that, if we’re lucky, we will never have to experience. Things like childbirth, limb loss, or a near death experience. The closest most of can get is by watching a well-made film. If “Deepwater Horizon” succeeds at anything, it’s creating the engrossing experience of being there on that fateful day.

‘The Magnificent Seven’ is How the Western Was Lost

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The appeal of Westerns was mostly lost on me when I was younger. The tales of these hypermasculine wanderers, answering every problem with a gun, never appealed to me. When I got older, I discovered their messages of honor and self-defense against corruption. The genre proved it could be more than one-liners and shootouts, but “The Magnificent Seven” set out to be only that.

Remake of ‘Ben-Hur’ Can’t Find Right Tone or Pacing

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – In most cases, remaking a classic film is a fool’s errand that will end in disappointment for everyone involved. The greatest pitfall is the inevitable comparison between the two films. This form of cinematic suicide is becoming more prominent as cash grabs attempt to revive still relevant films. There are few stories that can and should be resurrected, but “Ben-Hur” is not among them.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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