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HollywoodChicago.com ESP, En Español: ‘Atomic Blonde,’ ‘Detroit,’ y ‘Dunkirk’

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana haremos una gira de guerra a través de la historia de la Segunda Guerra Mundial (‘Dunkirk’), a la Guerra Fría (‘Atomic Blonde’) y a la zona de guerra en casa (‘Detroit’).

Strong Performance Makes ‘Lady Macbeth’ a Cogent Character Study

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Separating a performance from the rest of the film is usually an easy task. One may be stronger than the other, or vice versa, but either way, they can be judged individually and as a whole. “Lady Macbeth” proves to be that rare character study where a single performance (from breakout actress Florence Pugh) not only makes the film but essentially is the film.

‘Rough Night’ is More Than Just a Diamond in the Rough

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The idiotic notion in Hollywood (and in the basements of fanboy mothers everywhere) that women can’t be funny is a joke in itself. Women have been forced to prove themselves on the male-dominated comedic circuit and have come out as successful as their male counterparts. “Rough Night”, despite all of its flaws, is just the most recent example of that.

‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

Nostalgia Not Enough to Save ‘Baywatch’ From Drowning

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Going to the beach is simultaneously an exciting and disgusting experience. Swimming in the cool water that thousands have gone inside in the past, with more than a few leaving bodily fluid deposits, is the perfect way to describe “Baywatch”. No amount of beefy biceps or shirt-busting breasts could have given “Baywatch” the buoyancy needed to keep from sinking, let alone stay afloat.

‘Everything, Everything’ Offers Close to Nothing, Nothing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ll be the first to admit that I am not the target audience for these stock young adult romance novels. Aside from the odd fascination and romanticization of teenage death and terminal illness, these stories feel trite and much closer to fantasy than anything real or plausible. This is what the film “Everything, Everything” brings to the table, which essentially translates to Nothing, Nothing.

‘King Arthur: Legend of the Sword’ is a Dull, Magicless Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Have you ever had such a bad case of déjà vu while watching a film that trying to remember where the familiar elements are from turns into a more enjoyable experience than actually seeing the film itself? If you haven’t, your quest for that kind of film is fulfilled by the incredibly forgettable “King Arthur: Legend of the Sword.”

‘Smurfs: The Lost Village’ Should Have Remained Undiscovered

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – There are only a few times that I have left a film mentally shouting, “Won’t someone think of the children?” Not through some self-righteous religious fit, of course, but through a general concern for the animated films created for our young. “Smurfs: The Lost Village” is either made for a specific crowd in mind or made for a crowd without a mind.

‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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