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Jack Huston

‘Their Finest’ is British Filmmaking at Its Finest

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a combined BBC Films, Welsh Government and Pinewood (London) Pictures production, the British-based “Their Finest” pairs England’s history with authentic and passionate romance, to create a sly and funny riff on propaganda films and the British movie industry during the early days of World War II.

Remake of ‘Ben-Hur’ Can’t Find Right Tone or Pacing

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – In most cases, remaking a classic film is a fool’s errand that will end in disappointment for everyone involved. The greatest pitfall is the inevitable comparison between the two films. This form of cinematic suicide is becoming more prominent as cash grabs attempt to revive still relevant films. There are few stories that can and should be resurrected, but “Ben-Hur” is not among them.

Hard to Find a Point to ‘Pride and Prejudice and Zombies’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Having not read this best-selling source novel, I had a hard time understanding the point of “Pride and Prejudice and Zombies.’ Amazingly, it falls short as both a zombie movie and a satire of the original Jane Austin “Pride and Prejudice” story, which was its only achievement as a final result.

‘The Longest Ride’ is a Journey to Nowhere

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “The Longest Ride” is sentimental schlockmeister Nicholas Sparks’ latest attempt to remix “The Notebook.” It’s got an old man recounting lost love, handwritten letters, young lovers kissing in the rain, breakups, reunions, corny dialogue and of course those North Carolina backdrops. He’s playing all the same notes, but this time he’s lost the melody.

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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