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Jake Lacy

‘Their Finest’ is British Filmmaking at Its Finest

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a combined BBC Films, Welsh Government and Pinewood (London) Pictures production, the British-based “Their Finest” pairs England’s history with authentic and passionate romance, to create a sly and funny riff on propaganda films and the British movie industry during the early days of World War II.

‘Miss Sloane’ Thrills Politically, But Drags Narratively

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Nothing says the holiday season like a film about lobbying and politics. If you read that sarcastically, you’d be wrong. “Miss Sloane” offers a female spin for an otherwise male dominated political landscape. Most of you are trying to tune out politics after the elections, but this film builds off of that momentum by reminding us how we arrived to that point.

Shapeless ‘How to Be Single’ is Dreadfully Unfunny

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Rebel Wilson’s raunchy and vulgar schtick is now way past its freshness date, but she’s the only one able to elicit any chuckles in this otherwise woebegone women-behaving-badly, anti-romantic comedy, “How to Be Single.”

‘Obvious Child’ is a More Authentic Romantic Comedy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Real life is not a romantic comedy, unless you’re willing to understand the levels of clownish tragedy that sometimes accompanies it. The new film “Obvious Child” comprehends all that, and has an unforgettable performance from Jenny Slate in delivering the goods.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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