Jamie Foxx

‘Robin Hood’ is a By-the-Book Waste of Cinema Energy

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one in the movie-going universe was pining for another Robin Hood remake. No. One. Yet, with the story in public domain and some overseas cash to spend, here we are. Taron Egerton (“Kingsman” series) takes on the title role, with support from Jamie Foxx.

‘Baby Driver’ Runs on the Fast Track of Movieland

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – While it may seem that we’ve seen this type of tough-guy robbery gang film before, “Baby Driver” lives in its own universe, that of the movieland of movies. It is rich in squealing tires, bang-bang guns synched to the soundtrack, and a mystery cool boy creating his own star-crossed romance.

Uneven ‘Annie’ Makes Some Very Bad Decisions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The diabetes-inducing Broadway musical “Annie” does not deserve two film versions – including the newest release – especially since both are tortuous and somewhat dark. The “modern” version even eliminates most of the strength that “Annie” possessed on stage, its chipper songs.

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

Channing Tatum, Jamie Foxx in ‘White House Down’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – How could a movie in which the President shoots a rocket from the back of a limousine during a car chase on the White House lawn possibly be boring? Roland Emmerich somehow finds a way in the numbing “White House Down,” a movie that make absolutely no sense but fails to entertain as B-movie escapism (as his movies sometimes have in the past).

Jamie Foxx Rides in Quentin Tarantino’s Incredibly Fun ‘Django Unchained’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Quentin Tarantino’s “Django Unchained” has some undeniable pleasures, the kind that erupt from the screenwriting abilities of one of the best movie scribes alive. Tarantino’s way with words and plotting are as honed as ever and he directs his super-talented cast to enjoyable performances all around.

Talented Cast Carries Dark Comedy of ‘Horrible Bosses’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There’s a theory that a film that should be judged based on how well it succeeds at what it attempts to do. If it’s a comedy, does it make you laugh? “Horrible Bosses” has some issues but it is an undeniably funny movie. With stellar comic timing from the entire ensemble and a dark streak of edgy humor with just enough wit to make it not seem cruel, this is one of the straight-up funniest movies of the year.

Animated, Colorful ‘Rio’ Blends Into Mediocre Blur

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Rio” is a film that nearly defies critical review. There’s nothing particularly wrong with it and I can virtually guarantee you that the little ones in your family will be captivated by the talking, dancing birds with the colorful plumage. But it’s also a film that’s strikingly unmemorable.

Robert Downey Jr., Zach Galifianakis Are an Odd Pair in Funny ‘Due Date’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a strong temptation to lead this review with “Hey, ‘Due Date,’ ‘Planes, Trains and Automobiles’ just called, they want their plot back,” but this Robert Downey Jr. and Zach Galifianakis star vehicle drives on its own strange vibe, part road trip and part comedy that depends on suspension of all reality. Yet it mostly works.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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