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Jane Fonda

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

Unoriginal, Unfunny ‘This is Where I Leave You’ a Poor Man’s ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Jason Bateman and an all-star cast got me there. The unfunny copycat story left me regretting it. If you don’t start with a solid plot that’s at least somewhat new, it doesn’t matter how many “A”-listers you throw into an ensemble. They’re just individuals doing the best they can with weak material. But the film’s fatal flaw is it can’t figure out who it is – a comedy, drama or dramedy? – and it didn’t do just one thing well.

Family Emotions Uplift ‘Lee Daniels’ The Butler’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In one of the more intriguing ways to frame the 1960s civil rights movement, “Lee Daniels’ The Butler” places the context of that African American struggle through the filter of family dynamics, focusing on the father as a butler in the White House, through six presidents.

Jane Fonda Misused in ‘Peace, Love & Misunderstanding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Jane Fonda portraying an aging hippie seems like a slam dunk. She was a 1960s hippie at one time, right? Well, it’s obvious she wasn’t the type of hippie personified in “Peace, Love & Misunderstanding,” co-starring Catherine Keener and Elizabeth Olsen. Nobody was that type of of hippie.

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