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Jay Duplass

As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.

Jason Segel, Ed Helms in Inconsistent ‘Jeff, Who Lives at Home’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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