HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Jeffrey Wright

‘The Good Dinosaur’ is Pixar Studio’s Most Ordinary Film

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Grim Conclusion for ‘The Hunger Games: Mockingjay - Part 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – This has to be what the filmmakers intended when they split the final book of the “Hunger Games” series into two films. While “The Hunger Games: Mockingjay - Part 1” was all set up, Part 2 doesn’t just lead up to a huge climax.

‘The Hunger Games: Mockingjay – Part 1’ Shouldn’t Have Been Split in Two

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – My issue with the “one movie split into two parts” debate isn’t even about money, which is clearly the main reason why we’ve seen blockbuster films do it like the two-part “Harry Potter and the Deathly Hallows” and now the two-part “The Hunger Games: Mockingjay”.

Moving On in ‘The Hunger Games: Mockingjay – Part 1’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The über popular “The Hunger Games” series is back, splitting the final novel into two movie parts, Harry Potter style. Subtitled “Mockingjay - Part 1,” this is the beginning of the end of the story, setting up rather than knocking down.

Entertaining, Complex ‘The Hunger Games: Catching Fire’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Second acts to incredibly popular and entertaining mainstream fare can be a tough prospect. For every “The Dark Knight,” there are too many films like “The Twilight Saga: New Moon” – works that essentially just repeat what audiences fell in love with instead of trying to expand on the world of their predecessors.

Sam Rockwell Carries Harrowing ‘A Single Shot’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sam Rockwell does no wrong. He takes parts in movies major (“Iron Man 2”) and minor (“A Single Shot,” now available On Demand and opening theatrically in limited release this Friday, September 20, 2013) and makes decisions that other actors wouldn’t even consider. He is so completely, believably in the moment.

Crime Thriller ‘Broken City’ Fictionalizes its Crime Without Most of its Thrill

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Rife with corruption and injustice, the setting for “Broken City” could have been picked from a litter of U.S. metropolitans. Said star Mark Wahlberg in a recent red-carpet interview with HollywoodChicago.com, it’s not Chicago.

All Intention, No Delivery in ‘Extremely Loud and Incredibly Close’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The September 11th tragedy is still percolating through the cinematic filter, and there is a well intentioned thread throughout the various interpretations. But the latest attempt, “Extremely Loud and Incredibly Close,” stretches this intention too far, despite a cast featuring Tom Hanks and Sandra Bullock.

Ryan Gosling, George Clooney in ‘The Ides of March’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – George Clooney’s “The Ides of March” is a star-studded political thriller of the variety that was made much more commonly in the ‘70s and would therefore seem like a perfect vehicle to restart for today’s controversial times. We could use more political thrillers with complex dialogue aimed at adults to offset the fact that a vast majority of motion pictures are aimed at children.

Jake Gyllenhaal, Michelle Monaghan Star in Thrilling ‘Source Code’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Duncan Jones announced his arrival on the sci-fi scene with such authority with the excellent “Moon” that genre fans were naturally concerned about a sophomore slump. Worry no more. “Source Code” may first feel like a more traditional thriller but it’s clearly cut from the same cloth as “Moon” in that it takes the impossible and makes it human, even spiritual. Like the best sci-fi, “Source Code” is both entertaining and thought-provoking. It’s a great slice of entertainment that you’ll want to relive as soon as it’s done playing.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker