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Joel Edgerton

‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

‘Loving’ Reminds Us That Love Conquers All

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – This is a difficult review to write. Not for any sort of technical standpoint, but one of moral outrage. Seeing “Loving”, the relevance in today’s society was clear, but that was before the election of our new president. The hatred of the past still echoes to this day, but now more than ever the message of hope and perseverance is needed.

Johnny Depp is Ghoulish in Mob Saga ‘Black Mass’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Black Mass” is a well crafted, if somewhat conventional crime tale. It won’t win any awards, but it’s entertaining enough. The story of real life Boston crime boss “Whitey” Bulger has no shortage of juicy details, and while the saga of this mob boss slash FBI turncoat falls short of greatness, Johnny Depp turns him into an otherworldly presence.

Joel Edgerton’s Directorial Debut ‘The Gift’ Shows Psychological Thriller Promise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Of the various genres of films, the psychological thriller is one of my holy grails. A story that highlights the psychology of its characters and their wobbly emotional states, few modern filmmakers dare to compete with the masterminds – Alfred Hitchcock, Stanley Kubrick, David Lynch and more recently David Fincher and Darren Aronofsky – or fail when trying to.

No Faith in the Spectacle of ‘Exodus: Gods and Kings’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The world certainly didn’t need another “Ten Commandments,” but director Ridley Scott tries to remake the 50’s Biblical epic anyway – led by Christian Bale as a scowling and shouting Moses. Yet Bale can’t hold a staff to Charlton Heston and Scott is no Cecil B. DeMille. Ostensibly this is a movie about the power of faith, but Scott’s film has no soul within.

Frustrating Thriller ‘Wish You Were Here’ with Joel Edgerton

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s an honesty in the increasingly-great Joel Edgerton’s (“Animal Kingdom,” “Warrior,” “The Great Gatsby”) harrowing performance in Kieran Darcy-Smith’s “Wish You Were Here,” opening in New York and Los Angeles this Friday, that makes it a difficult film to dismiss. Sadly, the truth of what Edgerton brings to the role of a man who carries a dark secret is shrouded by a filmmaker who refuses to let us in on the cause of his pain.

Hollow ‘The Great Gatsby’ Mistakes Glitz For Passion

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s a scene in “The Great Gatsby” in which Jay Gatsby (Leonardo DiCaprio) is gleefully throwing multi-colored clothes down upon a smiling, spinning Daisy Buchanan (Carey Mulligan). While she seems happy at first, she ends up covered in colored fabric and crying. I knew how she felt.

Jingoistic ‘Zero Dark Thirty’ Highlights the Mission

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Despite an obsession for killing a single man to represent a foggy revenge, “Zero Dark Thirty” is an effective thriller in the actual re-creation of that Navy Seal operation. Directed by Kathryn Bigelow (“The Hurt Locker”), the all-star cast is led by a miscast Jessica Chastain.

‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

‘The Odd Life of Timothy Green’ Misses Emotional Connection

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 3rd, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

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