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John Lithgow

‘Miss Sloane’ Thrills Politically, But Drags Narratively

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Nothing says the holiday season like a film about lobbying and politics. If you read that sarcastically, you’d be wrong. “Miss Sloane” offers a female spin for an otherwise male dominated political landscape. Most of you are trying to tune out politics after the elections, but this film builds off of that momentum by reminding us how we arrived to that point.

‘The Accountant’ is a Strange Indulgence for Ben Affleck

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Remember the hilarious video of Ben Affleck during the “Batman v Superman” promotions, his blank stare synched up to the song “The Sound of Silence”? Well, he’s decided to take that expression to a mainstream role, as he blankly applies that manner to “The Accountant.”

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Celebrating the Ordinary Couple in ‘Love is Strange’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It is a time, and the time is now. Leave it to filmmaker Ira Sachs to break a barrier simply by having the right timing. Exploring a longtime gay couple, right at the cusp of their now-legal marriage, opens the door to an odd series of ordinary circumstances in “Love is Strange.”

Predictable ‘The Campaign’ Hinges on Hilarious Newlyweds Will Ferrell, Zach Galifianakis

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Will Ferrell makes five new proclamations loud and clear: he’s a comic dream-team duo with Zach Galifianakis in “The Campaign,” punching a baby and then a dog are seriously funny, real-life politics should take a lesson from this over-the-top smear campaign, you need one supporting Korean weapon and there’s nearly no such thing as a 100% comedy that delivers on 100% of its comedy.

Thrilling, Marvelous ‘Rise of the Planet of the Apes’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Rise of the Planet of the Apes” is spectacular entertainment, a perfect capper to the blockbuster season that is arguably the most purely enjoyable film of the warmer months of 2011. Rupert Wyatt’s highly-anticipated prequel is an old-fashioned piece of sci-fi escapism made with some of the revolutionary new toys available to special effects artists.

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