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Jonathan Pryce

Charles Dickens is ‘The Man Who Invented Christmas’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The story of Ebenezer Scrooge, as told in Charles Dicken’s classic “A Christmas Carol,” seems to be the one constant that survives the commercialization of the holiday season. The story of Scrooge’s creation is told with expressive sentimentality in “The Man Who Invented Christmas.”

Trite ‘Woman in Gold’ Lacks a Compelling Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

‘G.I. Joe: Retaliation’ Almost Turns Macho Stupidity Into Art

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.

Good Vibrations for Maggie Gyllenhaal in Uneven ‘Hysteria’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Combining late 19th century Victorian England with the invention of the vibrator is a surefire laugh getter, but unfortunately “Hysteria” adds in a romance subplot and doesn’t climax. Maggie Gyllenhaal, Hugh Dancy, Jonathan Pryce and Felicity Jones add to the buzz.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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