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Jonny Lee Miller

‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

Neil Jordan’s ‘Byzantium’ Feels Drained of Passion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ve rarely said this about Neil Jordan movie – in fact, maybe never – but I was bored during his latest, the vampire drama “Byzantium,” a movie with an intriguing cast and interesting story but little in the way of passion, emotion, dread, or the other intangibles needed to make a horror film like this effective.

Keep Tim Burton’s ‘Dark Shadows’ Out of the Light

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

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  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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