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Juno Temple

Woody Allen Has Run Out of Ideas with ‘Wonder Wheel’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Woody Allen emptied out his junk drawer of discarded script ideas and somehow managed to convince Kate Winslet to star in it. That’s the gist of the latest “serious Woody” entry in the Oscar winner’s long running career. Woody Allen has had some timeless triumphs, but lately he’s been more about quantity than quality.

‘Maleficent’ is All Dressed Up With No Story to Tell

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If “Maleficent” were an actual fairy tale storybook, I’d say it has beautiful illustrations but not much story to tell. As the title character, Angelina Jolie is a towering presence with an unforgettable look, but the film itself is all dressed up with nowhere to go. “Maleficent” the movie’s story moves so slowly it makes a sloth look like a cheetah.

Kathryn Hahn Stars in Near-Miss ‘Afternoon Delight’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jill Soloway’s Sundance Award-winning “Afternoon Delight” is such a frustrating near-miss. There will be some slight spoilers in this review. Because I can’t figure out how to express my issues with the film without mentioning one major point although it doesn’t spoil the action of the final act, just how Soloway chooses to get there.

Matthew McConaughey Delivers in Searing ‘Killer Joe’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – William Friedkin’s film of Tracy Letts’ “Killer Joe” takes no prisoners. One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying “The Avengers” features a few superheroes. However, it would be a mistake to allow the controversy or the shock value to become the story of this excellent noir comedy that takes black humor to a new level of darkness.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

‘The Three Musketeers’ Lets Down Legendary Heroes

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Seriously?!?! Another “The Three Musketeers”?!?! Just because source material is beloved, why does it need to be remade over and over again? Perhaps Paul W. S. Anderson’s new take on the legendary trio complete with “Resident Evil”-esque action sequences can serve as the final word on this over-done story although if it somehow ends being the only version that future generations end up seeing they will surely wonder why such a boring tale was retold so many times in the first place.

Gregg Araki's ‘Kaboom’ Merrily Enters the Ontological Void

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rarely has the apocalypse appeared as trivial as it does in “Kaboom,” a disarmingly lovable mess of a picture that manages to work in spite of itself. It’s the tenth feature film directed by Queer New Wave icon Gregg Araki, who seems to be in an infinitely better mood than he was fifteen years ago, back when the Reagan era’s ignorance of the AIDS crisis was still festering like an open wound.

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