Laurence Fishburne

‘John Wick 3 Parabellum’ is More Bang For Your Buck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I must admit that upon initial viewing, I didn’t care much for the original “John Wick” film. Coming as it did in the post “Taken” wave of old guy revenge thrillers, I found it to be stylish but supremely silly nonsense, since it was the death of puppy as the spark that lit the fuse. However as time has gone by, John Wick has grown on me.

‘Ant-Man and The Wasp’ is Abuzz with Laughs & Shrinkage

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Gag writers, it’s time to head to Marvel Studios. Apparently the direction their superhero franchises are going for is laughs. “Ant-Man and the Wasp” is a prime example… the second film in the “Ant-Man” series amps up the humor, priming a hero that can go super small or massive. Go ask Alice, I think she’ll know.

‘John Wick: Chapter 2’ Adds Artistry to Mass Murder

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It takes a special kind of film that enthralls the audience so much that they stop caring about the body count and are more concerned with the main character running out of bullets. “John Wick: Chapter 2” offers the same cathartic effect as watching a Nazi get punched but in an infinitely more picturesque package.

Story Can’t Match Eye-Popping Visuals of ‘Passengers’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The use of science fiction for all kind of stories is one of the hottest go-to genres for Hollywood today. “Passengers” is a love story, and adds the visual glory of modern special effects…but the soapy tale of a star-crossed (literally) couple is problematic and cliché ridden, and breaks at the end with heroics that are shoehorned into the rest of the scenario.

‘Batman v Superman: Dawn of Justice’ is Both Despairing & Disappointing

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dang it, DC Comics and Warner Bros.! Two of my favorite comic book characters get dragged through a dull mud in “Batman v Superman: Dawn of Justice.” There is a dawn all right, but instead of the bright sun over the horizon, it’s a full mooning to the fans who anticipated the film.

Direction Proves a Problem For Open Mic Drama ‘Rudderless’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Actor William H. Macy’s directorial debut “Rudderless” is a film of open mic songwriting that tackles a recovery from grief with neat lyrics and easy metaphors. Instead of standing out, Macy has provided another sap’s ballad that has the cuteness of “Kumbaya”, one that aims to please the crowd without challenging emotions, only presenting them.

Steven Soderbergh’s Riveting ‘Contagion’ With Matt Damon

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – A few weeks ago saw the release of the R-rated “Don’t Be Afraid of the Dark,” a gore-free creature feature that was given the MPAA stamp of 17-plus due to “pervasive scariness.” This week sees the PG-13-rated “Contagion,” a film SO much more pervasively scary than the movie about goblins in a distant mansion because, well, it’s about the fact that the world is pervasively scary.

Fishbone is Red Hot in ‘Everyday Sunshine: The Story of Fishbone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Everyday Sunshine: The Story of Fishbone” aspires to be more than an episode of “Behind the Music” and succeeds largely due to the amazing talent of the band it chronicles, the stunning, one-and-only Fishbone. It’s common for a critic to call a great, underrated band influential but Fishbone doesn’t really qualify because what they did was so unique that it’s impossible to copy.

Adrien Brody’s ‘Predators’ Unmemorably Lulls Through the Expected Motions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

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  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

  • 2019 Physical Theater Festival

    CHICAGO – The visual artistry of the stage is often due to the picture that is created through the physicality and movement of the actors. This is brought to light in the 6th annual Physical Theater Festival in Chicago, a cornucopia of international imagination generating theater through the physical realm. Co-founders/Artistic Directors Alice Da Cunha and Marc Frost created the fest, which runs from May 31st through June 9th, 2019, Stage 773 in the Belmont Avenue Theater District. All the Festival information – including tickets – can be found by clicking here.

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