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Film Review: Rotating Perspectives Converge in ‘Train Station’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Taking on the variance of choice in a very unique and compelling way, “Train Station” was interpreted through 40 filmmakers in 25 countries, following a character – The Person in Brown – in a singular story that flexes and changes as the role is exposed. Chicago was one of those filming locations, and “Train Station” will screen here at the Music Box Theatre on Wednesday, February 15, 2017.

Alternate American Dream Played Out in ‘Dope’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If you’re lucky enough, you’ll never know what it’s like to grow up in a poor American neighborhood. But what if the notions of such societies are flipped on its ear, and what if the message draws attention to our current perceptions of race? This is what the new film “Dope” conveys.

Pre-Apocalyptic Darkness Found in ‘Maps to the Stars’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a moral darkness in director David Cronenberg’s “Maps to the Stars” that is hard to shake. It is filled with circumstance and souls right at the edge of insanity, polluted by an atmosphere that doesn’t give them much of a chance. The apocalypse is now, and living in Los Angeles.

Jake Gyllenhaal is Eerily Seductive as the ‘Nightcrawler’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – This film can be defined as “Network” meets Norman Bates, but it also exposes virtually all our modern sins, in a chilling story about a loser who spouts business self help while taping bloody crimes that sell on the morning news. Jake Gyllenhaal is the “Nightcrawler.”

Tense Thriller Has Halle Berry Answering ‘The Call’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Call” rises above the usual crime drama for a couple of reasons. First, it is a thriller that runs at a breakneck speed, using the driving culture of Los Angeles in a cat-and-mouse chase. Secondly, it symbolically emphasizes the plight of women, and honors their empowerment.

Street Fight of ‘End of Watch’ Adds in Deep Emotion

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In the genre known as the cop movie, there are expectations. There will be street evil, informants, ride-alongs and camaraderie. What is surprising and welcome in “End of Watch” is how it takes all those elements and expands them with an emotional link between the cop partners, portrayed by Jake Gyllenhaal and Michael Peña.

Sirens Flash Red For Woody Harrelson in ‘Rampart’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “thin blue line” is a police term. It represents the designation between the protection the police provides and the anarchy that is on the other side of that protection. The cop that Woody Harrelson portrays in “Rampart” crosses that line repeatably, formulating his own retribution.

Lack of Narrative Focus Handcuffs ‘Answers to Nothing’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ensemble films, with their multiple stories and characters, can be a challenging delicate balance. Emphasize one story over another and an audience starts to wonder why the neglected subplot is even in the film. “Answers to Nothing” generates this reaction with all their narrative threads, in a movie that lacks any kind of cohesion.

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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