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Marvel Studios

‘Spider-Man: Homecoming’ Spins a Web of Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Summer movies should be fun, and the superhero craze has Marvel Studios combining their adventures with a little joy. “Spider-Man: Homecoming” mostly contains that big high spirit, with Tom Holland portraying the title character with youthful zeal and energy.

Cut of Nostalgia in ‘Guardians of the Galaxy Vol. 2’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

‘Doctor Strange’ is Odd Enough to be Enchanting

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – We’ve reached a point where comic book films are no longer a scarcity, but an eventuality. With several coming out every year, each one competes for our attention even though the originality behind their approach has the opposite effect. A great cinematic fatigue is almost upon us, but “Doctor Strange” shows a promising deviation that could possibly alter the franchise’s fate.

Marvel Studios Reaches New Heights in Satisfying ‘Captain America: Civil War’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

‘Guardians of the Galaxy’ a Gleeful Space Romp

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Guardians Of The Galaxy” is a gleeful Star Wars knockoff dressed up in Marvel Comics clothing. It occupies the same universe as Marvel’s other properties, but its tone is decidedly sillier. It has a spirit more akin to the later joke heavy installments of the Star Trek franchise or low budget exploitation mogul Roger Corman’s “Battle Beyond The Stars” than the ponderous pontificating of “Thor.”

Despite Disastrous Skinny Steve, ‘Captain America: The First Avenger’ is Perfectly Imperfect

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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