CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Matt Fagerholm
Charming Doc ‘Brooklyn Castle’ Celebrates Young Chess Champions
Submitted by mattmovieman on November 2, 2012 - 7:38amRating: 3.5/5.0 |
CHICAGO – One of the greatest casualties of America’s economic crisis is the extracurricular activities at high schools and middle schools. Whereas the primary subjects fill students’ heads with knowledge, after-school programs provide them with a place to apply it. It’s in the hours following the standard daily curriculum where much of the learning and growing takes place.
Deftly Lensed ‘Snowman’s Land’ Leaves Audience in the Cold
Submitted by mattmovieman on September 27, 2012 - 8:48amRating: 2.5/5.0 |
CHICAGO – The art of deadpan humor looks deceptively simple to the untrained eye. It’s fairly easy to say ridiculous things while maintaining a straight face. What separates the amateurs from the professionals is a mastery of timing as well as a keen understanding of a character’s interior life. The best deadpan laughs are the ones that allow an inside peek into the human psyche.
Josh Radnor’s ‘Liberal Arts’ Takes Uncommonly Thoughtful Look at Growing Up
Submitted by mattmovieman on September 21, 2012 - 8:55amRating: 3.5/5.0 |
CHICAGO – Josh Radnor may be one of the most good natured humanists in modern American film. His perspective contrasts sharply with that of comedic auteurs intent on depicting a cynical view of the modern world clouded with nostalgia. Radnor may not yet be up to par with the filmmakers that have inspired him, namely Woody Allen, but his sophomore directorial effort, “Liberal Arts,” is practically bursting with promise.
‘Hello I Must Be Going’ Provides Well-Deserved Star Vehicle for Melanie Lynskey
Submitted by mattmovieman on September 21, 2012 - 8:24amRating: 4.0/5.0 |
CHICAGO – Melanie Lynskey is one of those effortlessly sublime character actresses who always seemed destined for stardom. At age 16, she made an astonishing film debut in Peter Jackson’s “Heavenly Creatures” opposite Kate Winslet. In the years that followed, she has proven adept at playing everything from a good-hearted stepsister (in “Ever After”) to a severely screwed-up mom (in “Win Win”).
Frank Langella Shines in Delightful Sci-Fi Comedy ‘Robot and Frank’
Submitted by mattmovieman on August 24, 2012 - 8:31amRating: 4.0/5.0 |
CHICAGO – Frank’s world is fading before his eyes. With his wife gone and his children all grown up, Frank lives a reclusive existence, though he doesn’t seem to be in particular need of company. His memory may be fading, but his instincts as a retired cat burglar are still ever-present. He can’t helping stuffing a few soap figurines into his pockets while casually browsing through a store.
Benedict Cumberbatch’s Riveting Work Makes ‘Third Star’ a Must-See
Submitted by mattmovieman on August 22, 2012 - 10:58amRating: 3.5/5.0 |
CHICAGO – Though Benedict Cumberbatch has been delivering fine work in film and television for the past decade, he hadn’t received a great deal of attention until last year, when he played strikingly diverse characters in Oscar bait such as “War Horse” and “Tinker Tailor Soldier Spy,” while earning legions of fans on BBC’s “Sherlock.” He’s such a deft chameleon that it’s easy for audiences to overlook his formidable body of work.
‘Ai Weiwei: Never Sorry’ Stands as One of 2012’s Most Important Films
Submitted by mattmovieman on August 3, 2012 - 9:56amRating: 4.5/5.0 |
CHICAGO – Every person who was mystified by the meaning of the “Free Ai Weiwei” shirts and petitions that in were vogue last year owe it to themselves to see Alison Klayman’s excellent documentary. Moviegoers will be hard-pressed to find a more riveting and vital film in theaters this year. It may not have a satisfying ending, but that’s because its real-life tale has (thankfully) yet to reach a conclusion.
‘The Queen of Versailles’ Takes Comedic Look at Riches-to-Rags Tale
Submitted by mattmovieman on August 3, 2012 - 9:15amRating: 4.0/5.0 |
CHICAGO – Whenever I hear someone complain about the inexplicable popularity of an obscenely rich and distressingly vapid non-celebrity, I’m reminded of the last scene in “Chicago,” when murderess-turned-superstar Roxy Hart blows a kiss to her adoring fans after exclaiming, “Believe us, we could not have done it without you!” No one maintains a celebrity status without a whole lot of help from the general public.
‘Farewell, My Queen’ Paints Seductive Portrait of Encroaching Doom
Submitted by mattmovieman on July 20, 2012 - 8:09amRating: 4.0/5.0 |
CHICAGO – Is there any actress in the world today with more seductive and transfixing eyes than Léa Seydoux? She often tilts her head in a direction that allows her to peer up from beneath lowered brows. Stanley Kubrick would loved to photograph her. Yet her radiant orbs are capable of conveying more than mere menace. She can appear frighteningly vulnerable and coldly calculating within the same take.
Todd Solondz’s ‘Dark Horse’ Brilliantly Deconstructs Man-Child Pathology
Submitted by mattmovieman on June 22, 2012 - 5:00amRating: 3.5/5.0 |
CHICAGO – Todd Solondz has always been prone to making films about people that most filmmakers wouldn’t touch with a ten-foot pole. His characters crave love but are the opposite of lovable. They inspire the sort of laughter spawned not from amusement but from discomfort, sadness, and occasionally, recognition. It’s refreshing to see characters utterly devoid of pre-packaged, studio-approved appeal.