Matt Fagerholm

‘Cairo Time’ Bests Season’s Female-Centric Blockbusters

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A delicious sip of tea, a cool fragrant breeze, a stroll through a gorgeous foreign landscape. These are but a few of the sensations moviegoers will experience in “Cairo Time,” a deceptively simple, tenderly lyrical love story that is quite simply the most refreshing cinematic surprise of the season. I don’t want to overpraise this lovely little morsel. It’s meant to be savored, and has a rich aftertaste.

‘Mao’s Last Dancer’ Performs Strictly on Autopilot

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – World-renowned dancer Li Cunxin’s autobiography, “Mao’s Last Dancer,” has been transformed into the type of unimaginative, sentimental tear-jerker that will only move viewers who’ve never seen (or heard of) a movie before. It doesn’t adapt Li’s autobiography so much as stage the SparkNotes version.

‘Life During Wartime’ Provides Haunting Coda to ‘Happiness’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Todd Solondz’s 1998 masterpiece, “Happiness,” is the darkest American comedy ever made. It’s so brutal and uncompromising that it calls into question the very definition of comedy. When one character explains to her sister that she isn’t laughing at her, but with her, the sister responds, “But I’m not laughing.” Solondz isn’t laughing either.

‘The Girl Who Played With Fire’ Snuffs Out Potential

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Movie trilogies often are judged on the strength of their middle chapters. The “Star Wars” franchise wouldn’t have been continually embraced by new generations if “The Empire Strikes Back” hadn’t deepened the characters to such an extent that they became more than mere Jungian archetypes. If “Empire” jettisoned the franchise’s potential, “Attack of the Clones” brought it in for a crash landing.

‘The Killer Inside Me’ a Study in Sociopathic Blandness

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Michael Winterbottom’s ’50s-era neo-noir “The Killer Inside Me” creeps up on you in the creepiest possible way. Just as I was ready to write it off, I ended up caving in to its charms, or lack thereof. This film often seems as utterly cuckoo as its central antihero, and that’s what makes it so darn mesmerizing. Sure, it’s sort of a mess, but boy is it engrossing, with a strong emphasis on the gross.

‘I Am Love’ Offers Scintillating Showcase For Tilda Swinton

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “I Am Love” is the type of visceral tone poem that requires its audience to feel more than think. As the end credits roll, viewers may find themselves going over the plot in their heads, and discovering its inherent shallowness. It’s only after we wake up from a dream that we discover just how silly or inexplicable it all was.

‘Joan Rivers: A Piece of Work’ Reveals the Woman Behind the Face

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – One of the most revealing insights to be gleaned from “Joan Rivers: A Piece of Work” is the lifelong desire of its titular comedienne to be a serious actress. The sad irony is that Rivers has rendered her most vital acting tool (her face) utterly immobile, thus making her ineligible for any dramatic screen role, save for the Elephant Man.

‘The Little Traitor’ Succumbs to Shameless Manipulation

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Little Traitor” is a story so sweet and so well-intentioned that it practically dares you not to like it. It’s mighty tempting to give it a pass purely on the basis of its premise, which is vital, timely and quite moving. If this story were told by a filmmaker less intent on yanking audience’s heartstrings until they snapped, it may have provided the foundation for a great and important film.

Inferior Sequel ‘OSS 117: Lost in Rio’ Mostly Falls Flat

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s no mystery why the appeal of spy satires transcend the boundaries of time and culture. Clueless detectives with a bloated sense of self-importance are great comic punching bags. Everyone loves seeing a doofus get his head slammed in a door, whether that doofus be Inspector Clouseau or Lt. Frank Drebin or countless other law officers who could easily blend in with the Keystone Kops.

‘The Complete Metropolis’ a Must-See Movie Event

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Not since the restoration of Orson Welles’s “Touch of Evil” has a butchered cinematic classic been brought to such startling new life as “The Complete Metropolis.” Though Fritz Lang’s 1927 masterpiece “Metropolis” may never be restored to its original cut, this latest theatrical re-release is as close as film preservationists have ever gotten to recreating the legendary science-fiction epic in its entirety.

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  • Manhunt

    CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.

  • Topdog/Underdog, Invictus Theatre

    CHICAGO – When two brothers confront the sins of each other and it expands into a psychology of an entire race, it’s at a stage play found in Chicago’s Invictus Theatre Company production of “Topdog/Underdog,” now at their new home at the Windy City Playhouse through March 31st, 2024. Click TD/UD for tickets/info.

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