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Michael B. Jordan

All Forms of Heroism Available in ‘Black Panther’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The fortune of the latest Marvel Studios superhero epic, “Black Panther,” lies in its solid foundation in African mythos and intelligent storytelling. And with Ryan Coogler (“Creed”) as director, there are still major confrontations and battles, intertwined into the soul.

‘Creed’ is a Champion in the Rocky Balboa Legacy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – This is what happens when passionate filmmakers come into a known movie project – with an obvious love for the previous stories and characters – and create a new chapter that both evolves and honors its source. “Creed” does all of that, and gives the beloved Rocky Balboa one more time in the spotlight.

Found-Footage Fanboy Film ‘Chronicle’ is Aimlessly Lost

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Chronicle,” which stars blah, blah and blah with a special appearance by blah (you wouldn’t know these unknowns any way), is the latest found-footage film to find itself lost, lacking purpose and devoid of a cohesive plot. This film’s fanboy ejaculate loves you short time as it spews the buildup of what could be interpreted as a “story” and ultimately ends without one.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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