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Michael Fassbender

‘Alien: Covenant’ is a Pale Copy of Previous Best Films

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s worth noting that the Alien series extends back nearly 40 years, and yet the chest-bursting Xenomorphs have produced a grand total of exactly two good movies. The orginal “Alien” and “Aliens” are great films that stand the test of the time, while every other entry in this series would require a significant stretch of the imagination to be called barely watchable.

‘Assassin’s Creed’ Has Odd Breeding for a Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

Strong Cast Turns on ‘The Light Between Oceans’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In the early 1970s, “Love Story” was all the rage, with its catchphrase “Love means never having to say you’re sorry.” Just as sudsy, and with its own catchphrase, is “The Light Between the Oceans.” The film, set in the early 20th Century, salvages a by-the-numbers tale with fine performances.

‘X-Men: Apocalypse’ is a Marvel Entertainment Gem


Rating: 4.5/5.0

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

Expansive ‘Steve Jobs’ is a Marvel of a Movie

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – You don’t need CGI, entire cities being turned to rubble, or an army of assembling Avengers to make a great movie. All you need is a good story to tell and a team of people talented enough to tell it. Writer Aaron Sorkin, and Director Danny Boyle are just the right people to make “Steve Jobs” because their finished project positively springs to life on the screen.

‘X-Men: Days of Future Past’ Dares to Richly Invest in Story First, CGI Second

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of superhero movie disappointments in recent memory, last month “Captain America: The Winter Soldier” renewed our faith in Hollywood blockbusters once again. Just 7 weeks later, can “X-Men: Days of Future Fast” impress us again?

Complex, Wow-Inducing ‘X-Men: Days of Future Past’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Although a post graduate degree in space/time continuum studies may be necessary for maximum enjoyment, “X-Men: Days of Future Past” still delivers a comic book wham-bam, and the series continues its exploration of recent history through the prism of a mutant universe.

‘The Counselor’ Disguises Lackluster Storytelling in Philosophy

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.

Relentless Artistry of ‘12 Years a Slave’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A man is chained to the floor in a dark, barren room. He has been ripped from his family and his freedom, and we watch as he’s whipped with amazing brutality. It goes on well past the point that most films with similar human suffering would have cut to a less stressful image. It will not be the last time that “12 Years a Slave” forces the viewer to turn away before the editor does it for you.

Fascinating Journey to ‘Prometheus’ Makes For Bumpy Ride

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind. Is it the perfect blend of adult, intellectual science fiction and summer action that I was hoping for at the beginning of the season?

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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