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Michael Pena

‘Ant-Man and The Wasp’ is Abuzz with Laughs & Shrinkage

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Gag writers, it’s time to head to Marvel Studios. Apparently the direction their superhero franchises are going for is laughs. “Ant-Man and the Wasp” is a prime example… the second film in the “Ant-Man” series amps up the humor, priming a hero that can go super small or massive. Go ask Alice, I think she’ll know.

‘A Wrinkle in Time’ Can’t Smooth Its Bizarre Fabric

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Although I am an admirer of Oprah Winfrey, it’s unfortunate that the best way to describe “A Wrinkle in Time” – with her role as goddess problem solver – is Worst. Episode. of. Oprah. Ever. The film, based on a novel from 1962, caves into effects over cohesiveness or story.

‘12 Strong’ Wins the Battle as it Loses the War

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In the 16 years of the U.S. and Afghanistan war, which began a month after Sept. 11, 2001, the U.S. has spent trillions of dollars and lost 2,400 soldiers. The story of that war’s first battle, “12 Strong,” would probably be more revelatory if we weren’t still there.

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

Entertaining ‘The Martian’ is a Hollywood Space Opera

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It’s all based on science, they told us! “The Martian” is an old fashion feel-good movie about the hard working astronauts and scientists of the good old American space program, trying to rescue a stranded spaceman from Mars, aided by a brave cast of astro-colleagues.

Tartan Prancer – Yes, a Fictional Albanian Car – Steals the Otherwise Borrowed Show in ‘Vacation’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Retreads from classics are often as weary as having to write that they are almost never as good as the original. And here we go again with the Ed Helms-led “Vacation,” which fails to capitalize on the beloved Chevy Chase film “National Lampoon’s Vacation” from 1983.

A Perfect Paul Rudd, Michael Peña Bring Often-Overlooked Humor to ‘Ant-Man’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In 1989, Rick Moranis played a scientist father in “Honey, I Shrunk the Kids” who accidentally shrinks kids to the size of insects. But dating back to a first appearance in 1962, Marvel Comics first published the Ant-Man character. His persona was the superhero alias of the scientist Hank Pym after inventing a substance that allowed him to shrink himself.

World War II Drama ‘Fury’ Fires on All Cylinders

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Fury” just might be Brad Pitt’s “Saving Private Ryan.” At its heart it’s a crowd pleaser, but it never shies away from the sheer brutality of war. While it doesn’t have anything quite so devastating as “Saving Private Ryan’s” D-Day sequence, it depicts the everyday horrors of killing the enemy and the men who must force themselves to make their peace with the casualties that pile up in the muck.

‘Cesar Chavez’ is Stiff History of a Heroic Man

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – How can one man bring down a ruthless industry? By building a union that never backs down, because he never backed down. ‘Cesar Chavez’ depicts the United Farm Workers union organizer in the 1960s who sought justice against virtual slave conditions for immigrant labor, assuring his place in history.

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

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