Nick Offerman

‘The Lego Movie 2: The Second Part’ is Flat Out Funny

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are two things I love as a film observer. The pretty colors of modern animation … and to laugh. I got both in the appropriately titled “The Lego Movie 2: The Second Part.” Picking up where the first first left off, the gang of Lego brick figures, including Emmet, Wyldstyle and Batman, have a new adventure.

Despite One Premise, Laughs Are Plenty in ‘The Little Hours’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It occurred to me in assessing “The Little Hours” that the basic premise is somewhat like “The Beguiled” – a man is taken in, rooster-like, into a henhouse where there are women with “needs.” Except this time, instead of a girl’s boarding school, it is a 14th Century nunnery. Get thee to it, if thou wants to laugheth.

Emotionally Perfect Cowboy Elegy in ‘The Hero’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The great character actor Sam Elliott – known mostly for his cowboy roles in film/TV and his unique bass sounding voiceovers – gets an opportunity to deliver a nuanced and emotional performance as a hyper-realized version of himself. There is virtue and truth in this character journey.

Emotionally Animated ‘My Life as a Zucchini’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Leave it to the Europeans to inject some realistic drama into the art of animation. The recently Oscar nominated “My Life as a Zucchini” is opening in Chicago this weekend, and tells the story of parental abandonment, orphanages and finding family. Co-produced by France and Switzerland, it uses a familiar claymation stop-motion style for more emotional resonance.

Michael Keaton is a Man with a Brand in ‘The Founder’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Michael Keaton is the real reason to see “The Founder” – it’s a movie that probably wouldn’t work at all without him. Keaton portrays Ray Kroc, the man who turned McDonald’s into a multinational fast food behemoth. But “The Founder” is an origin story of both the man and the brand…and Kroc is not the genius of American business he’s been made out to be.

Terence Malick’s Feverish Dream in ‘Knight of Cups’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I’ve been quoting Martin Scorsese over the years, that he said “movies are a psychotic’s feverish dream on display.” In searching for those words, I found he never said it. He did say they are “dreams with eyes open.” So let us combine the two quotes in analyzing Terence Malick’s “Knight of Cups.”

Drac Pack Still a Drag in ‘Hotel Transylvania 2’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For the younger set unable to experience the mystique of Dracula, Wolfman and Frankenstein in their original creations, “Hotel Transylvania 2” may prove to be an introduction to the legendary bloodsucker and his band of movie monsters – and for that Adam Sandler deserves a stake through his heart.

Ever-Present Passion in ‘Me and Earl and the Dying Girl’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are feelings encoded in a film, imparted by the creators, which sometimes takes a while to become apparent. “Me and Earl and the Dying Girl” is an example, with a deceptive surface story that contains an ocean of feelings and emotions within its passionate core.

Imagine What Could Have Been for ‘Danny Collins’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.

‘22 Jump Street’ is a Proud Bargain Bin Blockbuster

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “22 Jump Street” is a big budget Hollywood sequel that actively comments on the diminishing returns of sequels. Directors Phil Lord and Christopher Miller know that for every “Lethal Weapon 2,” that manages to surpass the original, there are a dozen “Another 48 Hours” that try and fail to give audiences an approximation of what they enjoyed before.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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