Olivia Colman

A Hilarious Combination of Crass and Class in ‘The Favourite’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Looking through auteur Yorgos Lanthimos’ filmography, you’ll recognize a style that combines both visual beauty and narrative absurdism. The Lanthimos effect, or Lanthimo-nium as I like to call it, elevates any piece of work to such a high degree that often times the meanings go over our heads. In his most mainstream effort to date, “The Favourite” will likely become your favorite of his works.

Mustache Has More Than ‘Murder on the Orient Express’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

Tom Hardy’s Mesmerizing ‘Locke’ Makes You Question Who You Are

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s impossible to simply play spectator through the forward-moving experimental indie “Locke” without analyzing your own past. And only a zombie could sit through this one-man film without questioning what choices you’d make in Tom Hardy’s shoes.

Tom Hardy Drives for His Life in Minimalist Thriller ‘Locke’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The de facto dazzle of isolated survival movies, regardless of their special effects, comes from pulling off their most impressive practical stunt: envisioning yet deconstructing high stakes drama with alternative spare plot resources, while featuring only a few on-screen characters, if even more than two.

Meryl Streep Accentuates Margaret Thatcher in ‘The Iron Lady’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It would be a cheap jab to say that “The Iron Lady” is a drag version of “J. Edgar,” and also redundant (hyy-ooh). Meryl Streep takes on the role of former British Prime Minister Margaret Thatcher, with a dreamy and vague interpretation of the PM’s life that at times feels like it’s told through the wrong end of a telescope.

Paddy Considine’s ‘Tyrannosaur’ Packs a Gut-Wrenching Punch

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – She first finds him hiding behind a rack of clothes in her small charity shop. He’s the sort of a battered soul that her Christian instincts naturally desire to protect. The way he crouches on the floor and snarls at her causes him to resemble a threatening animal, but the calming prayer that she recites quickly reduces him to tears. Even before their eyes have had the chance to meet, a vital connection has been made between the two strangers.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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