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Orson Welles

Excess & Dwayne Johnson is How ‘Skyscraper’ Works

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Dwayne Johnson formula is what it is, as it seems for about three to five films a year. A disaster strikes, but the Johnson character has loved ones among the victims, and in his background (military, police, mercenary) there is enough expertise to rescue them. “Skyscraper” is the latest.

Magic of Orson Welles Rings the ‘Chimes at Midnight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.

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